Deeplight by Frances Hardinge
My rating: 5 of 5 stars
I'd never read anything by Frances Hardinge before, and this was a
helluva introduction. I thought it was a little slow to get
going--Hardinge is British, and this book has that deliberate English
pacing, even at the climax--but once the central MacGuffin is retrieved,
the story takes off. Our main character, Hark, has quite the character
growth throughout, including facing the fact that he cannot save his
toxic friend Jelt no matter how hard he tries. Hark and Jelt's
convoluted, tortured relationship is the heart of this book.
But
there is also some fascinating worldbuilding going on here. The setting
is the Myriad, a group of independent island nations haunted by the
ghosts of living gods that turned on each other thirty years ago. These
gods, sort of a cross between a mutated deep sea monster and a
Lovecraftian nightmare, ruled the Myriad for centuries, and human
sacrifices were thrown into the sea in an attempt to appease them. No
one knows why they killed each other off in a violent Cataclysm. The
only things left are the scraps of dead gods harvested by the
humans...and on occasion, some unlucky islander finds more than a scrap.
Hark
is one of those unlucky islanders, and this is the story of his fight
to save his islands from a nightmare returned. But it's also,
surprisingly, a story about stories. Hark is a thief, a con artist, and a
raconteur, and he collects stories both for their own sake and to use
as bargaining chips. The stories of the gods he stumbles upon along the
way make up a large and important part of the narrative. Those same
stories are also central to Hark's personal growth, influencing the
choice he makes at the end of the book as to what he will do with his
life.
Stories, stories. He had always been a storyteller of
sorts--eager to entertain, or win people over, or get something he
wanted, or play the hero for a bit. Now other people's stories were the
treasures he prized. He was a storykeeper for gods and heroes.
Once
he could read and write, he would travel, he realized. He would leave
Sanctuary and sail all over the Myriad. He would collect stories
everywhere and save them before they could fade away from everyone's
memory. You could keep people alive forever through stories.
As
far as I know, this book is a standalone, but there is a whole series
of adventures sketched out in these two paragraphs. We don't even need
to read them. We can imagine the tales Hark collects throughout the
remainder of his days, poignant stories and sad stories and dangerous
stories, and the library of lives he builds on his home island. This is a
lovely, thoughtful book, carrying a surprising weight. (One of the
characters is a Deaf girl, here called "sea-kissed," who strenuously
resists her mother's attempts to "fix" her.) I had some doubts about it
in the beginning, but by the end I couldn't put it down, and that's one
of the highest praises I can offer a book.
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