Review: Silver in the Bone

Silver in the Bone by Alexandra Bracken
My rating: 4 of 5 stars

I almost gave up on this book around a hundred pages in. This is a young adult retelling of King Arthur and the magical country of Avalon, which is well-worn if not cliched territory at the very least, and I was concerned about the author's doing something new and interesting with it. But the characters started to grow on me. Then I hit the point where the protagonist Tamsin Lark and her "frenemy" Emrys Dye actually make the journey through a magical Veil to Avalon, to search for a ring that will lift the dangerous curse of her brother Cabell.

Only Avalon is not the beautiful green place of legend, but rather a post-apocalyptic hellhole inhabited by deadly human-spider creatures called Children of the Night. Dark magic is slowly sapping the land and destroying its protective wards, and threatening to overwhelm its last bastion of safety, a tower where the priestesses of Avalon have gathered for a final stand against the darkness.

At that point I realized I was all in on this story, despite its slow beginning. I'm not sure Bracken is doing anything radically different with the bones of Arthurian legend, but her characters are making up for it. Not only with the protagonist Tamsin, her brother Cabell, and their adoptive father Nash, but the secondary characters as well. They are all well-drawn, especially those who become the core members of Tamsin's group at the end: the High Priestess of Avalon, Caitriona; Neve Goode, a self-taught sorceress who accompanies Tamsin, Cabell and Emrys on their journey; and Olwen, a half-naiad Healer of Avalon. Emrys Dye, an arrogant, rich little snot who is after the same magical ring as Tamsin and becomes her love interest, is also revealed to have more depths than meets the eye. And Tamsin herself, utterly lacking in magic, grows from a pessimistic, paranoid cynic who pushes people away to someone who is willing to be vulnerable and let people in, and who is fiercely loyal and caring to those new friends she picks up along the way.

However, for a book ostensibly aimed at a young adult audience (not that that's ever stopped me reading YA) this story is very dark and bloody. Tamsin's general attitude of cynical pessimism is infectious, and by the end, I was wondering how the four survivors of Avalon could get their revenge on Lord Death, the king of Annwn (the country of the dead), for destroying their beautiful isle and slaughtering everyone in it. Then, in the last few pages, Tamsin reunites with Nash, the father figure who vanished seven years ago. He reappears out of the blue and says he needs to solve a curse: not Cabell's curse (Cabell transforms into a murderous black hound when strong emotion grips him), but rather Tamsin's own.

Well. As cliffhangers go, that is rather a gobsmacking one. So much so I immediately plucked the sequel out of my TBR pile and dived into it. If you finish this book, you had best be prepared to do the same. I had to know what happens next, and I expect you will too.

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Review: Eden

Eden by Christopher Sebela
My rating: 1 of 5 stars

This graphic novel states it was "based on an original screenplay." An unproduced one, evidently? If so, I can see why it was unproduced, as the science is not great. (Although that's also true of most produced SFF screenplays.) At any rate, I think this works better as a comic, and is surely cheaper than the 9 figures it would have cost to film it.

This story takes place in the near future, when climate change has caused massive human displacement and there are refugee camps all over the world, as people are forced out of places that aren't habitable anymore. (So far, that isn't "science fiction" at all....) In the meantime, there is a supposedly habitable exoplanet discovered in another system, and ships departing on a regular basis to this "new Eden," taking millions of people who have won a lottery for the 15-month journey. (And that right there broke my suspension of disbelief, as a 15-month interstellar journey anywhere means ratcheting up to a significant percentage of lightspeed, which isn't possible now and likely won't be possible for decades to come, if ever. Anyway...) The comic opens with the story of the Tremaine family, who have won the lottery and are telling how they feel about making the trip.

Only, as we soon discover, they aren't the "Tremaine family" at all, but rather three imposters who broke into the Tremaine's apartment the night before they were due to leave, tied them up and stashed them in the closet, and took their place. Which....that was a bit of over-the-top implausibility that was necessary to the plot, and all the more grating because of it. The ship even beeps as they are being loaded into their cryogenic sleeping chambers, warning that the DNA doesn't match, and the Edencorp representative in charge says they're behind schedule and pushes the imposter family through anyway. (Which sounds like a corporate mentality for sure.) The fake family is on board when the ship launches, only to be abruptly woken up even before they have made it out of the solar system....because the ship loops around the far side of the moon and proceeds to dump millions of people out of their storage pods to die on the moon's surface where they cannot be seen.

(At that point I rolled my eyes and thought, "Really?" Even today there are satellites in orbit that monitor the far side of the moon. And no one ever thought to ask why the colony ships returned rather sooner than they were supposed to?)

(Actually, the more I'm breaking this down, the more I'm realizing I really didn't like it. I can also see why the film was never made.)

So now our fake Tremaine family has to fight their way to the ship's cockpit, take control, and attempt to save the rest of the passengers. There is, of course, a corporate conspiracy to mitigate climate change by reducing Earth's population tens of millions of people at a time (at least until the far side of the moon is full up, I suppose) that gets exposed. Our plucky fake family--complete with unnaturally precocious pre-teen daughter who solves every problem the adults can't manage--takes over the ship and ends up taking it on an interstellar journey for real, searching for a planet that might be an actual "new Eden." (Although I wonder why they would trust Edencorp to build technology that would actually keep people alive on such a journey, as they never intended it to leave the solar system at all.)

This was meant to be triumphant and uplifting, I'm sure, and our imposters are a rather appealing, if ruthless, family. The art does help to cover the plot holes, but only to a point. But if this screenplay had actually been made, it would have been a C-movie at best. Adjust your expectations accordingly.

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Review: Compound Fracture

Compound Fracture by Andrew Joseph White
My rating: 3 of 5 stars

Andrew Joseph White has made something of a name for himself these past few years (at least as far as this reader is concerned) writing stories about trans teenagers. This book strikes a whole lot closer to home than his previous two, as it is set in West Virginia in 2017, and name-checks Donald Trump and US politics. In fact, this book is far more political than the author's first two ( Hell Followed With Us and The Spirit Bares Its Teeth ) combined, so if you object to in-your-face progressive politics (the protagonist calls himself a socialist) you should think about skipping this. If you are a conservative, and especially a MAGA conservative, you will likely be enraged by many of the things contained therein.

Having said all this, I didn't like this as much as the first two, and not because of the politics. The author seems to have a fairly accurate depiction of the people of West Virginia, their poverty, hopelessness and pride, why they distrust coastal "elites" and many of them refuse to leave, even those who, like our trans protagonist Miles, face fear and oppression just for existing. I enjoyed the part of the storyline that refers to a century-old coal-miner's strike, led by Miles' great-great-grandfather Saint Abernathy (who also turns out to be trans) and how that conflict has echoed down to the present day, affecting everyone in Twist Creek County. Miles' family, the Abernathys, are feared and distrusted by nearly everyone, and are persecuted by Sheriff Davies and his ilk. The sheriff is the primary antagonist, a strutting little tyrant who manipulates and rules over everyone in Miles' small town, to the point of trying to murder Miles' father for simply attempting to run for office.

No, what put me off this book a bit is the fact that Miles and his best friend/possible boyfriend Cooper exhibit some...sociopathic murderous tendencies? Although I do understand it to a point: at the story's beginning, Miles is nearly beaten to death by the sheriff's son Noah and a couple of his buddies, and Miles knows there will be no justice; in fact, Sheriff Davies threatens him into saying he did not see who attacked him. So I can understand why he would feel that his back is against the wall, and the only way out is to kill his tormentors. At the same time, he also starts seeing the ghost of Saint Abernathy and realizes that he is autistic. This last character beat in particular rings true, especially Miles' habit of chewing on a shoelace to calm himself down and keep from chewing on his hair.

Nevertheless, Cooper and Miles are participants in three murders (the first was an accident, but they hid the body afterwards by throwing it down a mine shaft) and Miles doesn't really feel remorse for any of it? At the same time, this is a very complicated and nuanced situation, and I imagine many people will disagree with my assessment of it. I'm sure the school of thought that Miles and the people of Twist Creek had no other choice than to rise up against their tormenters will carry the day for many readers.

(Content warning: There is a dog on the cover, Miles' dog Lady. Not only does the dog not die, but she saves Miles and saves the day at the climax, albeit in a rather grisly fashion.)

In the end, I think this is a timely, thought-provoking book, even if I wish I liked it more than I did. Nevertheless, I think it will enhance the author's already burgeoning reputation.

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Review: Unexploded Remnants

Unexploded Remnants by Elaine Gallagher
My rating: 2 of 5 stars

This 109-page novella is stuffed full of enough ideas for a full-length novel. The author has published non-fiction reviews and articles and even wrote and produced a short film, but this is apparently their first professional fiction publication. As such, I can certainly understand the impulse to throw out nearly every idea they've ever had, as they are probably worried about whether the book will sell enough for them to be able to publish again.

I understand it, but as a reader I felt a bit cheated. There is so much going on here, and because of the novella length restraints, we have no time to sit and absorb what we're being told. The characters also have neither space or time to react to what is happening to them--they must run at breakneck speed to the next plot point. The worldbuilding particularly suffers in this: there are many questions that could be asked about the wormhole gate network that provides travel throughout the galaxy. Particularly the basic questions of who, how and why? As well as when, considering there is a secret wormhole gate hidden in a Stonehenge-like structure (which has somewhat unpleasant callbacks to that hoary old bestseller of the 70's, Chariots of the Gods?)? These wormhole gates take our protagonist Alice on a rapid-fire planet-hopping journey that shows us many different living and dead civilizations, laying down what could have been a fascinating tapestry of a galaxy that has had countless sapient beings and many star-spanning civilizations rise and fall over the years. Many interesting worlds are whisked by in rapid succession as Alice jumps from planet to planet to evade her pursuers, and several times I wished for a plot-relevant reason to slow the pace of travel down, so we the reader could have a chance to really see some of the alien weirdness Alice is passing through.

Not the least of this book's many revelations is the fact that Alice is the last surviving human: her story begins in Oxford in 1967, when Alice, a trans person then going by the name of Andrew, falls down the rabbit hole of the ancient wormhole network and is transported to the Archive, the galaxy's central repository for archaeogical and cultural artifacts. She is made an Archive agent and sent back to Earth to attempt to save humanity from their self-destructive streak. but humans succeeded in destroying themselves anyway. Alice was evacuated before the final war and has spent the hundreds of years since (this world's clone and transplant technology means she is functionally immortal) traveling the galaxy and bringing her finds to the Archive.

The "unexploded remnant" of this story is an ancient war machine, a person downloaded into a cylinder and made into a weapon. Gunn, as Alice names him, is hunted by many different parties who want to exploit him for their own purposes. Alice is looking for his home base to possibly extract him from the weapon and give him a body again. The pursuit of Alice and Gunn takes up the entire story, although the climax involves Gunn, grief-stricken by the loss of his family centuries earlier (the time dilation effects of gate travel mean it's only been sixteen days for him) and trying to restart the war he fought so long ago. At the story's climax, Alice manages to talk him into standing down.

Unfortunately, this book really needed a greater length to explore everything the author threw out there, and since it didn't get it, the story feels somewhat shallow as a result. For instance, we never know how Alice feels about being the last surviving human being in the galaxy, and what she does to cope with the loss of her planet and her entire people. She's probably deeply traumatized, and you'd think something like that would be a major plot point, wouldn't you? Like so many other things in this book, it's glossed over. The depiction of the wider galaxy with its many aliens and alien civilizations is also barely touched upon. Again, I realize you didn't have any time for that within the constraints of the novella format. Which is why this book needed to be longer.

As it is, it's more than a little frustrating to read. Hopefully, if the author gets another crack at publication, they will slow down and pick out just a few ideas to explore rather than hauling out the kitchen sink. I think we could have gotten a more interesting story as a result.

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Review: Winter Lost

Winter Lost by Patricia Briggs
My rating: 4 of 5 stars

This fourteenth book in the Mercy Thompson urban fantasy series (and one of the few remaining since the urban fantasy boom is all but dead) is one of the better entries in the series, I think. Of course, if you haven't read at least the previous book, Soul Taken, and preferably two or three books further back than that, you will be a bit confused as to what is happening here. Especially since this book deals directly with the consequences of Mercy's battle with the Soul Taker artifact, which has ripped open her soul and damaged her magic. While I still wish the author would include a brief "the story so far" recap at the beginning of her books, at least for this book there is a prologue that, while not exactly an overall recap, does set the stage for this book's storyline.

One thing I do appreciate for this book is additional POV characters, particularly Mercy's husband, the werewolf and pack Alpha Adam Hauptman. Mercy is still our main protagonist, but in this book we into the heads of some of the other characters. There are a great many secondary characters that have built up over the course of the series, and it's nice to spend a little bit of time with some of them.

In this story we meet a couple of frost giants, one of which is working to bring about Ragnarok, the end of the world, by preventing a wedding that has to take place in order to reinforce the so-called Great Spell that prevents the apocalypse from dawning. Mercy's father, the trickster Coyote, sees an opportunity to cure her magical damage, and sets up an elaborate scheme that not only snares Mercy and Adam, but Mercy's half-brother Gary, another of Coyote's children--as well as Baba Yaga and Grandmother Spider, or Asibikaashi. (I must admit I'm a little leery of a white woman writing a Native deity, so I will insert a caveat that I have no idea if Grandmother Spider's depiction here is accurate.) Mercy and Adam end up trapped in a Montana hot springs lodge in the middle of a magic-inspired "storm of the century," and must find a magical lyre belonging to the frost giant Hrimnir. If they succeed, the wedding will proceed and the end of the world will be averted.

The highlight of this book is the relationship between Mercy and Adam. They are loving and supportive of each other, and have some delightful banter. (I also appreciate that Briggs, at least for this series, doesn't do long-drawn-out explicit sex scenes.) The dominant Alpha werewolf Adam is willing to be vulnerable for Mercy, his coyote shifter mate who is almost as easy to kill as a regular human, and has to survive by her speed and her wits.

The only knock I have against this book is that it is a bit slow to get going, and a couple of chapters are taken up by a long conversation between Mercy and another member of the werewolf pack, Mary Jo, about her relationship troubles. I suppose this is meant to tie into Mercy and Adam's situation, but it doesn't really seem to. In fact, the pacing of this entire book is more restrained and deliberate. This doesn't take away all that much from the overall effect in my estimation, but just be aware of it. This is a series where the cumulative effect is perhaps more than the worth of any individual book, but at any rate, I'm glad it's still around.

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Review: Army of One Vol. 1

Army of One Vol. 1 by Tony Lee
My rating: 3 of 5 stars

My library doesn't have the greatest selection of graphic novels, so when I see something that looks interesting, I tend to snatch it up. This fit the bill, and was pleasantly surprising.

This reminded me a bit of Paper Girls, although we haven't (or haven't yet) starting moving between times--we're moving between universes. Also, instead of four main characters there is one: Carrie Taylor. (Although since there are several multiversal variants of Carrie Taylor, we do still have a Paper Girls-like central group.)

This rather frantically paced story takes place over twenty-four hours (or less) and thoroughly upends Carrie's life: instead of a misfit high school girl worried over her best-friend-sans-crush, and glum over the anniversary of her parents' deaths, she is thrust into a horrifying new reality of ancient sorcerers, alternate universes, several different versions of herself, and being pursued by bald shambling zombie-like creatures. She finds out she is a "shard"--one of several reborn remnants of a sorceress that died centuries ago--or is she? And her beloved grandmother is not really her grandmother, but is perhaps another grown-up "shard" set to watch over her. And Carrie sees the ancient sorceress she supposedly splintered from as a blue ghost following her, and meets the sorceress's brother, who may or may not be her mortal enemy. Also, she gets killed at the end, shot in the head, and is reborn into the brain-dead body of one of her fellow "shards."

This is quite the interesting setup, frankly. The art is bright and vibrant and easy to follow (although the one drawback is that the sorceress Sister Fortune's word balloons are red on black, making them incredibly hard to read). I hadn't heard of this series before, but I'm definitely going to follow it now.

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Recent Notable Stories from Clarkesworld Magazine

 

The August issue of Clarkesworld, with a preposterously cool cover. (Art by Marcel Deneuve.)

It's no secret that I've been a subscriber to Clarkesworld for several years. There's a reason Neil Clarke has won the Best Editor Short Form at the Hugos for two years running, and the reason is that he simply picks good stories. (He also offers print editions of the magazine on their Patreon, which is something I wish more mags would do...) Clarkesworld also regularly publishes translated Chinese SF. Like many other genre magazines, Clarkesworld was hard hit by the recent Amazon Kindle fuckery and is just now managing to get back on its feet. 

So while this magazine is now in far better shape than it was, I still wanted to shout out a few of its recent stories, and encourage you to subscribe. You'll get a quality magazine that deserves your support. 

"Molum, Molum, Molum the Scourge," Rich Larson

Rich Larson is a tremendously prolific short story author, with over a hundred stories published. He also tends to write in the cyberpunk genre, which is not my favorite. However, many times his stories will overcome my dislike of cyberpunk. Which happened in this case: this is a fast-paced tale of Molum, a ten-year refugee from the gladiator pits who is dragged back in one last time. 

"Every Hopeless Thing," Tia Tashiro

Tia Tashiro is an exciting new writer, and this story shows why: Elodie and Skipper are a scavenger pilot/sentient ship partnership, hunting for usable fragments on a future dead Earth. Only they find actual human survivors, living underground for generations after the apocalypse, and offer them the stars--which the survivors turn down. An affecting tale of friendship and self-determination. 

"The Best Version of Yourself," Grant Collier

This is the polar opposite of the feel-good story that precedes it: this is creepy, visceral horror, about a future nanotech treatment that breaks down people's bodies and plants their disembodied brains in the ground, forming a "Nirvana"-like connection of millions of brains. This'll give you nightmares, but it's also unforgettable. The author's note states this story is his first publication, which is amazing. 

"Artistic Encounters of a Monumental Nature," S.B. Divya

This story shows the people of Earth--particularly artists and linguists--coming together to solve a mystery of monuments suddenly appearing in out-of-the-way places, 2001-style. This story speaks of the importance of art to the human condition, and how an alien species might interpret that. 

All these stories are free to read on the Clarkesworld website, but again--please subscribe if you can. (If you want an electronic auto-delivery subscription, Barnes and Noble still offers those for Nook readers.) (And no, neither Neil Clarke or anyone else has asked or paid me to say this. I just recognize how valuable Clarkesworld and other magazine like it are, and wish to see them continue.)

Review: The Stardust Grail

The Stardust Grail by Yume Kitasei
My rating: 3 of 5 stars

I know a lot of people hate the star rating system, but I find it useful. My definitions of my "stars" run the gamut from 1 (hated and likely did not finish) to 5 (loved, amazing, shout the book's virtues from the rooftops; which has happened this year only twice so far, with Robert Jackson Bennett's The Tainted Cup and Samantha Mills' The Wings Upon Her Back ).

A 3, to me, is middling. It was readable and I liked it, but it has significant flaws. That is very much the case with this book, an archaeological space opera that is trying to be an Indiana Jones-style romp but gets bogged down in plot issues.

Here, our protagonist Maya Hoshimoto is, or was for ten years, a thief: returning stolen alien artifacts to their rightful owners, and also looking for the titular "stardust grail," a possibly mythical item that would save her dear friend Auncle, an octopus-jellyfish alien. After she and Auncle unwittingly transmitted a virus that caused the deaths of an entire clan of aliens on one of their jobs, Maya breaks with Auncle and returns to Earth, trying to resume her education and live a somewhat more normal life. But the lure of traveling the galaxy still beckons, and Auncle comes after her, insisting xe has found a path to the grail, and asking her to do one last job.

Of course we know the "one last job" trope invariably leads to disaster, and so it is in this case. In this future, Maya's friend Auncle is a Frenro, and ancient species that created the Interstellar Web, the network of wormholes that makes space travel possible. There is considerable weight of history to this settling; whole civilizations have risen and fallen before humans ever got to space, and there is a region in the Interstellar Web called the "Dead Sea," consisting of many systems and planets scoured clean of life. (It's definitely a takeoff of Andre Norton's Forerunners.) The setting is one of the most interesting parts of the book, and I wish the author had devoted more time to it.

But as the title indicates, we must have our pursuit of the grail (to be fair, it seems to be the only thing that allows Frenro to reproduce, so the survival of a species is at stake). It is in this pursuit that the aforementioned plot holes start popping up. For instance, in this world there is an alien virus that has infected many species, including humans, and because of it Maya and Auncle can communicate telepathically. This information is casually dropped about a quarter of the way in with no exploration of the ramifications of a psychic link between a human and an alien. Considering that as the story goes on, the Frenro are revealed to have done many reprehensible things, including possibly committing genocide--and Auncle was able to hide that from Maya, even though they have a telepathic link? I don't think so. (Especially since as a character, Auncle seems to have few, if any filters, just spitting out whatever crosses xyr mind.)

What the Frenro are revealed to have done is the bigger and more important plot hole, however. It's not dealt with in this story (although I supposed it could be in the sequel, if there is one). To put it bluntly, the Frenro are....not a nice species, and Auncle knew about most of it. They have a kind of hive mind, called the Whole, and during the course of the chase for the grail Auncle takes Maya and their crew to the Frenro's hidden home world, and there reunites with the Whole. But the Frenro, whose perception of time allows them to see possible futures, have seen that humans are coming to destroy them--and in a Terminator-style loop, bring about the very circumstances of the humans' retaliation.

This is all dumped into the story at the climax, and it's very disappointing. There are some major ethics issues here, and they are not dealt with at all. Maya also forgives her friend far too easily. The Maya-Auncle relationship is well written up to that point, but it seems to me the revelations of the climax should inspire her to take a big step back and perform a major re-evaluation of her friend...and she doesn't do it.

Maybe you can overlook these plot holes and contradictions. I could, sort of. But they did impart a shallowness to the story, to its detriment. So while I liked this in the end, it's certainly not making my list of the best books of the year.

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Review: Moonstorm

Moonstorm by Yoon Ha Lee
My rating: 4 of 5 stars

I first became aware of Yoon Ha Lee eight years ago, with the release of the first book in the Machineries of Empire trilogy, Ninefox Gambit. (And said trilogy is excellent and you should be reading it already.) This is his first young adult book, but this story has similar themes to Machineries. Mainly the conceit of an important part of the story's setting being maintained by the actions of the people in the universe: in the previous trilogy, the "high calendar" dictated the laws of physics in a given sector, and "calendrical rot" signaled the bending/warping of those laws. Here, gravity is generated by the faith of the people on a given planet, and the fervency with which they perform the specific rituals to create the gravity they need.

Hwajin, the young girl who is our narrator and protagonist, lives on Carnelian and is a Clanner. Carnelian is a moon in the Moonstorm, a section of space outside the boundaries of the New Joseon Empire, and wanders in an erratic orbit. The Imperials and the clanners have been fighting over the Moonstorm for hundreds of years:

According to her family, the Imperials worshipped their Empress and carried out strange, twisted rituals--too strange and twisted to be described in detail to a ten-year-old, which of course made them much more interesting. The Imperials' rituals summoned gravity, just like theirs did, but their gravity and the clanners' couldn't coexist, like oil refusing to mix with water. The Imperials had been fighting for generations to replace the clanners' rituals with their own, so they could take control of the entire Moonstorm.

In the very first chapter, Carnelian is destroyed, Hwajin's entire family is killed (or so she thinks) and she is rescued by a "lancer," one of the giant mecha robots that fight for the Empire against the clanners. The story picks up six years later, with Hwajin, now known as Hwa Young, attempting to be chosen as a lancer pilot. No one knows she is a clanner; outwardly she is a loyal subject of the Empire. Normally she would have two more years to wait before she could apply to be a pilot, but the war has not been going well for the Empire of late, and Hwa Young and her classmates are submitted to the lancers early. She ends up bonding with Winter's Axiom, a lancer with rare talents, and is drafted into the war against her former people.

This ethical conundrum--Hwa Young is working for the Empire, but cannot forget that she was once a clanner--is the heart of the story, along with themes of colonialism, the exploitation of child soldiers, and the terrible decisions that must be made in war. This universe is a bit simpler than the often mystifying Machineries of Empire, and the story is easier to follow. No doubt this is intentional, given the intended audience, but I appreciated it. (Although Machineries is more rewarding, once you finally figure out what's going on.) The point of gravity supported by human-performed rituals becomes incredibly important as the story progresses, as the Empress and her scientists have twisted it into a weapon: a particularly pious population of one planet is so fervent their worship is able to generate enough gravity to form a black hole, which the Empress is intending to use to eradicate the clanners. At the story's climax, Hwa Young and her lancer troupe destroy a colony ship full of people performing the ritual to generate the black hole, sacrificing a few thousand to save millions more.

The story ends with Hwa Young and her friends leaving the Empire behind, and taking their lancers and joining the rebel clanners. This being the first of a trilogy, obviously there is a lot more action to come. The book is well paced and the battle scenes in particular are excellent. I appreciated that there was no romance involving Hwa Young or any of the other characters (other than vague hints): not only wasn't there time for it, but it would have distracted from the story's progression. I don't think this is quite as good as Machineries of Empire, but it's well worth reading in its own right.

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Review: Service Model

Service Model by Adrian Tchaikovsky
My rating: 4 of 5 stars

I've read (and own) a great many of Adrian Tchaikovsky's books, and this one is a bit different than his usual large-scale, stuffed-with-ideas space opera. This is his version of a "robopocalypse," complete with plenty of wry British humor (a great deal of it rather on the black side) and a much smaller and more personal sense of stakes that nevertheless winds up feeling just as important as the fate of a world.

This is the story of Charles, later Uncharles, a high-class robot valet who just wants to find a human to serve. Unfortunately, in this near-future slow apocalypse, there are very few humans to be found, due to some sort of environmental or societal collapse. The reasons for this are vague at first, and are revealed, in a rather more sinister fashion, as the story progresses. The inciting event on Charles' journey is what happens in the opening chapter: his master is murdered, and it seems like Charles performed the deed...though he has no idea how, or why, he could have done such a thing. Nevertheless, while shaving his master one morning, he moved the straight razor a little too far to the left and slit his master's throat.

After his master's death, Charles is cast out from his manor, and this begins an epic road trip across a vastly altered Earth. It includes stops ranging from an underground human enclave run by a tyrant to a battlefield with the remnants of robot armies caught up in a never-ending war, to an encounter with an AI "God." (The all-too-brief chapters dealing with the robot army are the funniest and most absurd of the book, as one of the armies is commanded by a "King Ubot" who has built itself up to be a giant mecha, complete with its own internal ecosystem made up of many other smaller robots grafted into its body. Unfortunately, it stuffs one too many smaller robots into its frame and ends up exploding all over the battlefield.)

Through it all, Charles is our viewpoint character, a bit like Martha Wells' Murderbot (but far more British) in that he is riddled with anxiety and uncertainty, denying he is anything more than an unassuming "service model" and yet exhibiting the most humanity of just about any character in the book. (Even more than the seconday protagonist, who Charles names "the Wonk," who he thinks is a severely malfunctioning robot and doesn't realize is an actual surviving human until nearly the end of the book.) The Wonk tries her best to convince Charles he is a thinking person with free will, which he valiantly resists until he realizes his "God" was the one who betrayed humanity. At the book's end, the Wonk, Charles, and other robot and human survivors are beginning to rebuild civilization, and even though Charles insists he is "only a valet" it is clear he is a vital part of the emerging new world order.

I was surprised by how funny this book is. I hadn't thought the author capable of writing such wry, understated humor that catches the reader off guard, but he pulled it off--I laughed out loud many times while reading this book. At the same time, this book is a clever satire of the whole "robopocapyse" sub-genre, with Charles acting as a sort of anti-Terminator. The author also has some rather pointed critiques of capitalism and "all the other utterly pointless genital-waving that humans who were a bit too much into guns and uniforms had historically been partial to." The book is not Tchaikovsky's usual sort of story, but I quite enjoyed it.



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